Nasir Al-Mulk Mosque – Shiraz, Fars Province, Iran

The architecture of pre-Islamic Iran is divided into two styles of “Parsian” and “Parthian”.

Parsian Style

it is the first architectural style in Iran starting from Achaemenid era until the invasion of Alexander (from 6th to 4th B.C). Rectangular spaces with columned halls, construction of buildings on platform, introverted style, using wooden ceilings, carved stones, plinth and capital, decoration of entrance and glazed tile in interior sectors are among the main features of Parsian architecture.

Parthian Style

As the name suggests, Parthian Style is the architecture used by the Parthian, it includes diversity in patterns, introverted style, symmetry in construction of palaces and temples, increase in the height of buildings, curved arches and domes, squinches below the domes, using local materials like rubble, adobe, brick, mud, and stucco work.

Iran’s Architecture from the Advent of Islam to Seljuk (6^th to 11^th centuries)

In spite of the advent of Islam, for years, Iran’s architectural style was dependent on the past elements. After that, Muslim artists introduced new forms, buildings, and constructs like mosque, school, bridge, castle and caravanserai with respect to previous artistic features especially Sassanid ones and inspired Islamic mind-set.

At the beginning of Islamic time, more attention was paid to the construction of mosque. The mosques usually had simple structures, but from this time, we witnessed the rise of Muqarnas decorative designs (decorations made of brick, tile, stone, plaster and wood) as an ornament of the mosque. The Muqarnas decorative styles used in Gonbad-e Qabus tower is one of the earliest examples of it in 10th century. Besides, Ribat-i Mahi, contemporary to Gonbad-e Qabus tower, has muddy brick and stucco decorations as well and acts as a precedent for the more lavish decorations of Seljuk and Ilkhanate Eras.

Iran’s Architecture from Seljuk to Timurid (11^th to 15^th Centuries)

Seljuk dynasty (11th century) is one of the most outstanding periods of Iran’s architecture. The construction of schools was popular in this time and many schools were built in the cities of Baghdad, Neyshabur, Marv, Rey and Hyrcania (current Gorgan). The plans of most of the buildings in this era was Four-Iwan design (Chahar Iwani) with stucco and brick as their prominent decorations. Iwan is a rectangular hall or space, usually vaulted, walled on three sides, with one end entirely open. They are mostly build in exterior space of the buildings having entrance/ exit spaces. Different buildings such as mosque, school, tomb and caravanserai were constructed in this era as well. The splendour and glory of Seljuk architecture are completely visible in Jameh mosque of Isfahan. Although, Jameh mosque of Isfahan is the result of continual construction, reconstruction, additions and renovations of 15 centuries of Islamic Era, the most beautiful and important part of the mosque belongs to Seljuk Dynasty. It is interesting to know that the use of tile as a decorative element has become popular since the end of 10th century. The oldest examples are the tiles of Kharraqan towers in Qazvin which were built in Seljuk Dynasty.

Preserving the Seljuk architectural styles including Four-Iwan design, Ilkhanate architecture entered a new stage; Iwan became higher with narrow width and the walls got narrower as well. Decorations like stucco, tile work and brick with special patterns adorned buildings. Mihrabs of Isfahan Jameh Mosque, Urmia and Oshtorjan mosques are the obvious proofs of the mastery in stucco art in that era.

During Timurid dynasty, the art of mosaic tiling reached its zenith, it is the art of the assembling of small pieces of coloured tiles to make an image. Mosques like Goharshad in Mashhad, Blue in Tabriz, Khargerd Ghiasieh School in Khorasan and some buildings in Herat and Bukhara show the importance and application of this art in religious buildings.

In this era, Grand Khorasan in east of Iran played an important role in development of architecture as well. Khorasan was the origin of lots of innovations in architecture that spread it to other parts of the country. Two-Iwan style was used in Khorasan for the first time and it was one of the first cities that the traces of turquoise tile are found in, this style can be observed in Mosques of Zuzan, Gonabad and Forumad.

Iranian Architecture Infographic / Historic Imam Mosque – Isfahan, Isfahan Province, Iran
Photo by Alexandre Rotenberg / Shutterstock
Infographic by Negar Ganji

Iran’s Architecture from Safavid to the Contemporary Era

The 16th and 17th centuries are known as the period of flourishment of Islamic arts in Iran. In the shadow of the support of Safavid’s kings, art and architecture advanced drastically. The majority of buildings in Safavid era such as mosques, schools, and caravanserais were constructed in a four-Iwan style and Muaraq (Mosaic) and Haft Rang (Seven-Coloured) tiles were the main decorations used in the buildings, the template of tiles were square which were glazed and seven colors were used to design them. Calligraphy on tile became common in decoration of religious buildings as well. Public places like mosque, bridge, bathhouse, water reservoir and specially caravanserai were built more than ever. Amin Abad caravanserai in Isfahan, Deh-bid caravanserai on the road of Isfahan to Shiraz and the numerous Abbasi caravanserais built all over the country were important caravanserais of this period.

After the fall of Safavid Dynasty, the same architectural style of that time continued like before but it was not as glorious as before. Kalat Naderi Palace (Khorshid Palace) in Khorasan province (Afsharid era) and Vakil complex in Shiraz (Zandiyeh era) are outstanding buildings of this period. After this period and with the beginning of Qajar Reign, architecture was the centre of attention again. Some of the buildings from Qajar era like Al-Nabi Mosque in Qazvin, the Haj Ali Agha complex in Kerman, Imam Mosque, Sepahsalar Mosque and school in Tehran, as well as Golestan palace are the examples of the breathtaking architecture of Qajar era.

Contemporary Architecture

The contemporary architecture of Iran starts from early 19th century and continues up to now. Architectural structures of buildings in this time were the combination of traditional and western architecture styles which were witnessed in constructs like Shahrbani Palace, Marble Palace and Post Office building of Tehran, or modern architectural style was entirely used.

The post Iranian Architecture appeared first on Persia Advisor.

The Ganj Ali Khan Complex with an area of around 11,000 square meters is located in the oldest section and yet, the center of Kerman City. It consisted of a square, bazaar, bathhouse, school, caravanserai, and water reservoir (Ab Anbar) but today, three constructs (square, bazaar, and bathhouse) of the great complex are left.

This complex was registered on the list of National Heritage in 1968. The construction of the complex was ordered by Ganj Ali Khan, the ruler of Kerman at the time of the Safavid Dynasty (1501-1736) and its plan was suggested and implemented by architect Mohammad Soltani Yazdi based on the Isfahani style. This style is one of the Iranian architectural styles that has experienced its zenith during the Safavid kings.

Since Isfahan was the Safavid’s capital and a large number of buildings of the time followed the same structure, the style was known as Isfahani.

Ganj Ali Khan Mosque

Ganj Ali Khan mosque is in the north-east of the Ganj Ali Khan square that seems it used to be connected to a nearby school or caravanserai that has not remained today. The mosque has a prayer hall (meaning Shabistan in Farsi) that is about five and 25.5 meters in width and length, respectively. The portal entrance is linked to a splendid Iwan adorned with geometrical designs. There is an inscription in this section that attributes the mosque’s construction to Ganj Ali Khan and specifies the ruling time of Shah Abbas, the great Safavid king.

Right after the portal entrance, there is a dark and narrow hallway with a short roof, which leads to a domed chamber or Shabistan. The dome has 15 reticulated wooden windows (three of them are much larger than others) that function as light providers as well as air circulators. The prayer hall decoration consists of stucco work, painting, Muqarnas, and Kar-Bandi, of which the two last decorations make possible the transition of a square-shaped hall to a circular dome.

Ganj Ali Khan Bazar

The bazaar with a history of around 400 years is located on the south side of Ganj Ali Khan square. It is about 93 meters in length in the shape of a straight line (Rast-e in Farsi) having two gateways on both sides of the bazaar, known as Arg and Mosque gateways. Besides, the bazaar is connected to the square with 16 vaults and arcades.  Ganj Ali Khan bazaar is adorned with stuccos, plaster, and frescoes.

Ganj Ali Khan Bathhouse

The Ganj Ali Khan Bathhouse stands in the southern part of the square in the middle of the bazaar. The bathhouse covering an area of about 1,300 m2 includes an entrance, corridor, disrobing room, hot water pool, Toon (heating source), cold room, and Hashti (vestibule). Hashti as a common architectural element in Iran refers to a roofed passageway in the shape of an octagon that connects the outer and inner spaces of a construct to each other.

There are different types of decorations in the bathhouse including paintings, Muqarnas, tile works, stuccos, arches, and stones. In 1971, the Ganj Ali Khan Bathhouse was turned into an anthropology museum exhibiting local customs in a public bathhouse through human sculptures dressed in traditional bath costumes.

The post Ganj Ali Khan Complex appeared first on Persia Advisor.